Not only were their voices changing, but their material was becoming more adult, with harder-edged funk and more mature romantic ballads.

Yet they were growing up fast, as demonstrated on their next album, 1985's All for Love. Telephone Man' soon became their third R&B chart-topper, and the group had reached full-fledged teen idol status. New Edition, meanwhile, released their eponymous MCA debut in 1984 and scored their biggest pop hit with the Top Five smash 'Cool It Now,' which ended with a short rap section. Starr, of course, would go on to strike it rich with a similar concept, assembling a quintet of white teenagers he dubbed New Kids on the Block. Starr attempted to sue the group for their name, unsuccessfully claiming that ' New Edition ' actually referred to a whole new style of pop music he'd created. Starr, however, wanted the group to remain with Streetwise New Edition summarily fired him as their manager and signed with MCA. Their debut album, also titled Candy Girl, spawned two more R&B hits in 'Popcorn Love' and 'Is This the End?,' and MCA offered the group a deal. Despite a lack of major-label interest in the group, 'Candy Girl' was a smash, topping the R&B charts.

'Candy Girl,' a song Starr co-wrote for the group, was released as their first single in 1983, when the members ranged in age from 13 to 15. More talent show victories followed, including a prestigious gig at the local Strand Theater, where they performed the Jackson 5 's 'The Love You Save.' They were discovered by writer/producer/impresario Maurice Starr, who signed the group to his small Streetwise label in hopes of launching a Jackson 5 phenomenon for the '80s. They eventually recruited friend Ralph Tresvant as a fourth member, and after winning a talent show in 1980, also added Ronnie DeVoe. New Edition was formed in the Roxbury section of Boston, MA, by Ricky Bell, Michael Bivins, and Bobby Brown, who began singing together in 1978 while still in elementary school, hoping to perform for pocket cash. In fact, after New Edition drifted apart, all of its members had at least some significant success outside the group as part of the new jack movement, which helped ensure that their original incarnation would be remembered for much more than the bubblegum urban soul that made their name. As they matured and progressed, they laid much of the groundwork for the fusion of hip-hop and R&B known as new jack swing.

New Edition 's early, Jackson 5 -inspired material made them the forerunners of two generations of teen pop (most of which was geared to white audiences). Bobby Brown, Johnny Gill, Michael Bivins, Ralph Tresvant, Ricky Bell, Ronnie DeVoeĥ.

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